Chillax.4

Given what is going on “out there,” I must admit to the fact that I have been spending a great deal of time “chilling,” because the alternative is too…Ya know, let’s just not go there. Let’s listen to some music instead!

Chillax.4 gives you many ways in which to do so, from “dream-like” meanderings to songs that remind you of Neil Armstrong’s moonwalk (“Small Steps”), what you might see when you look up at a clear night’s sky (“Little Dipper”), be extended an invitation to a country church (“Goo”), and everything in between. But first, some of the contributors on this passport to relaxation.

“To the Sound” from the 2003 electronic album, Is You Is, is by the German nu jazz band Micatone. The band consists of Boris Meinhold (guitar and synth), Tim Kroker (drums), Sebastian “Hagen” Demmin (keyboards – he also was the live keyboard player for Daft Punk), Lisa Bassenge (vocals), Rogall (sequence programing), and Paul Kleber (double bass). They released five studio albums and numerous singles between 2001 and 2017 for their label Sonar Kollektiv. After a six-year hiatus, the band released the single, “Where do You Belong?” a hauntingly beautiful song (like most of their output), which was inspired by singer Bassenge’s now nineteen year-old daughter “at a time when she was trying to find her place in the world.” We have all been there!

“Goo” is from the 2003 the dance album, Echo Parcours by Trio Eléctrico, although here it appears on a 2024 compilation album, Introducing Deluxe (Finest Moments in Modern Lounge) by Monte La Rue (more on him shortly). The name, Trio Eléctrico, arising from the “dupla electrico” (“Electric Duo”), was coined in 1951 by two Brazilian friends, Adolfo Antônio Nascimento (Dodô) and Osmar Álvares de Macêdo. In 1950, the two used a Ford Model T to perform their self-made electric instrument, known as a “pau electrico” (electric log) during Baha Carnival. In 1951, they invited a friend to perform with them, the architect Temístocles Aragão, thus turning their “dupla” into a trio. Though the name originally referred to the band, it became better known for their invention of a motorized band stage. Today, there is a huge industry for the production, maintenance and leasing of “trios,” and many new artists are discovered on them. In 1983, a “trio” built in Italy was inaugurated in Piazza Navona (Rome) in the presence of 80 thousand people who danced to the electric sound of Dodô, Osmar, and Temístocles. That was the first time a “trio” was featured outside of Brazil. The ‘trio” is known worldwide as one of the symbols of Brazilian culture, its music, and its Carnival.

Monte La Rue has often been nicknamed The Lounge King of the Lowlands. The Belgian DJ/producer, currently living in Amsterdam, has made his footprint with a range of ‘relaxed’ compilations, artist albums, and exclusive DJ sets, all of them oozing with diversity, including the one featuring “Goo.” His trademark DJ sound of laid back grooves, electronically submerged in waves of intimacy and sensuality, makes his output instantly recognizable. His ‘Lounge Deluxe’ cd series is hailed all over the world and has become a real blueprint of eclectic compilations. Over the years, he created a diversity of releases ranging from ‘Latin Deluxe’ down to ‘Welcome to Club Jazz.’ He has also developed numerous concepts for clubs such as Club NL and beach house Republiek, as well special shows for fashion designers during Amsterdam’s International Fashion Week.

“Gotcha Movin” is a song by Scott Wozniak from his 2005 EP Soho Sessions, one of four tracks including “Brazilian Bombshell,” “Soho Session,” and “Feelin’ the Music.” Since 1986, Wozniak has been a session keyboard player and has also produced scores for television commercials. He also has taught music production at Dubspot in New York City and is a Senior Sound Designer for a major software company. His career spans over three decades. As a producer and engineer, he has worked with the likes of Mateo & Matos, Jill Scott, Keith Thompson, Angie Stone, and Roland Clark, just to name a few. As was the case with “Goo,” the featured “Gotcha Movin” track on my playlist is from another compilation album, Large Grooves 4 (2008), a release from Jeff Craven’s Large Music, a visionary deep house label that “has been a steadfast pilar of the Chicago music scene since its inception in 1993.” Craven laid the foundation for a label that would end up redefining the boundaries of electronic music for 30 years and counting.

Lastly, “Waves and Sun” is a track from the 2000 electronic album, One by Professor Oz, which is the moniker of Olivier Frossard, a Strasbourg, France born DJ, who started his career DJing birthday and friend’s parties, and then morphed into programing and singing in an alternative rock band. He has released only two studio albums, the aforementioned, One, and his latest release, 2024’s The Lost Experiment.

And now for some music. Enjoy!

Los Angeles 2026

Happy New Year! – Playlist

After compiling a playlist for Halloween, the idea popped into my head that I should do one for New Year’s Eve. Et voila! The only parameters I set for myself in compiling this list were: 1). As close to one hour as possible (it clocks in at 56.7 minutes); 2). A maximum of fifteen songs (there are 15 songs). I listened to many more than fifteen, probably close to 75, and I just randomly picked the ones I happened to like that particular day. When I looked at the ones I picked, I was surprised to find that I had chosen 15 and that they added up to just under an hour. I immediately went out to buy a lotto ticket! The chosen songs represent a range of genres, and they span 75 years, from 1942-2017. Also, by pure luck, the first song is listed as pop as well as the last one, giving us a glimpse at how genres shift over time, in this case pop from Bing Crosby (1942) and pop from Taylor Swift (2017).

Start the playing the list just after 11 PM and you will ring in the new year and maybe become a “Swiftie” in the process. Or not! Here’s to 2026.

Los Angeles 2025

Remix Mix.2

I posted my first Remix Mix playlist back in March of this year, which had nine tracks all remixed by different artists/groups. For this second installment, I am using an entire album using only one remixer, issued by the label, Bomb Strikes, for their ongoing series called “Funk n’ Beats.” Their first compilation, Vol.1, was released in 2013, which featured the remixes of Pimpsoul. Their latest release, Vol.10, came out in 2023 and is curated, not remixed, by Boca 45. My featured playlist is Vol. 4 of the series (2018), which are remixes of 19 tracks by Fort Knox Five (FKF).

FKF is a Washington, D.C., based musical group consisting of Steve Raskin, Rob Myers, and Sid Barcelona. Another member, Jon Horvath, was a member until his death in 2015. The music collective releases music through their self-run label, Fort Knox Recordings. Their music style mixes (the key word here!) elements of funk, reggae, hip hop, and electronic music. The members hail from various side projects: Raskin was part of Edsel and Raskal, as well as the groups Liftoff and Thunderball; Myers played guitar and sitar with Thievery Corporation and International Velvet and guitar in See-I; Horvath recorded music with both DJ Ron and Raskal; and Barcelona was also part of Liftoff and Thunderball with Raskin. Over the years, they have released two albums as well as many singles, EPs, and compilations. Their first remix was in 2004, Rodney Hunter’s Electric Lady, and they have well over 50 to date, with their latest being a remix of “My Nikes” by The Fun Police. What follows is some info on a few of the artists remixed for this album, and, as I did last time, the remix album playlist will be followed by a playlist of the original titles/songs.

The Basement Freaks project was born in 2005 by George Fatiadis, a.k.a. DJ Jorge, from Thesaloniki, Greece. He started producing music in 2000 and was inspired by the “metropolis” sound and starting mixing urban styles such as hip-hop, funk disco, and dub & backbeat. His debut album, Something Freaky, was released in 2006, and since then he has gone on to release many compilations, remixes, EPs, and several more albums. The track remixed by FKF is the R&B/soul song, “Move Your Body” (feat. Mustafa Akbar), and it’s from his 2016 release, Time Machine.

Cormac O’Halloran, better known by his stage name, DJ Kormac, or simply Kormac, is a Dublin-based composer, DJ, and producer renowned for blending organic recordings with expansive electronica. His work spans solo projects, collaborative releases, and film scoring, where he is celebrated for his innovative soundscapes. In the mid-2000s, Kormac was a turntablist and multi-instrumentalist with the Iris experimental band, 8Ball, laying the foundation for his future exploration of electronic and acoustic fusion. His first solo release, the Scratch Marchin’ EP (2007), highlighted his distinctive blend of hip-hop and electronic production. FKF’s chosen remix track, “Harry’s Record Machine,” is from this debut release. His latest album, Equivalent Exchange, is his most ambitious work to date, as he composed a full suite for an orchestra, working alongside the Irish Chamber Orchestra and an eclectic array of collaborators, The accompanying live performances, including a sold-out show at Dublin’s National Concert Hall in 2024, have further bolstered his reputation as a daring and dynamic live performer. I have added a short YouTube clip of that performance following the playlists.

Adam Gibbons, performing as Lack of Afro, is an English musician, multi-instrumentalist, and producer from Exter, England. He started playing the piano at the age of seven and took up the alto saxophone at eleven. He gained the nickname, ‘Lack of Afro,’ while a student at university where, as a disc jockey he played funk gigs. In a review of his 2011 album, This Time, Lloyd Bradley wrote of Gibbons that “as a fairly nerdy looking white guy, there was never going to be an afro involved in his vintage funk stylings.” He started his professional career when he was signed to Freestyle Records in 2006, who subsequently released his debit single, “Wait a Minute.” He has gone on to release several albums for this label, and the remix track here, “Touch my Soul,” is from his debut album, Press On, from 2007.

Lastly, Skeewiff, a UK based production duo, consists of Alex Rizzo and Elliot Ireland, a pairing whose cheeky humor and dancefloor production skills created a rather unique sound. They are essentially an electronic breakbeat act that includes elements of jazz, lounge, and big band music into their productions. The result is a contemporary, often instrumental music used by Games, Film, and TV producers (FIFA, Nike, etc.) and consequently many Skeewiff tracks are subliminally familiar to a wide audience. They have also collaborated with 60’s library legends like Hammond organist Alan Hawkshaw and remixed many similar acts like Lemon, Ursula 1000, and Amy Winehouse. They have released a score of EPs and albums for four different labels, starting with the 2000 album, It’s all Gone. The remix track, “Now I’m Livin’ For Me,” featured on this playlist is from their 2003 album, Cruise Control.

Enjoy the music!

As promised, here is the video of Kormac for 2024.

Los Angeles 2025